Moore was named best actress in a musical or comedy for her performance in body horror The Substance, which has revitalised her career and could see her score an Oscar nomination.

“I’m just in shock right now… I really wasn’t expecting that,” Moore said as she took to the stage. “I’ve been doing this a long time, over 45 years, and this is the first time I’ve ever won anything as an actor.”

Other winners have included Kieran Culkin and Zoe Saldaña and TV series Baby Reindeer and Shōgun.

Blockbuster Wicked missed out on the major prizes, but won the box office and cinematic achievement prize, which was introduced last year.

In her acceptance speech, Moore said: “Thirty years ago, I had a producer tell me I was a popcorn actress, and at that time I made that mean that [awards] weren’t something I was allowed to have, that I could do movies that were successful and made a lot of money but couldn’t be acknowledged.

“And I bought in and believed that. That corroded me over time to the point where a few years ago I thought maybe this is it, maybe I was complete, I had done what I was supposed to do.

“And as I was at a low point, I had this creative, out of the box, bonkers script come across my desk, called the Substance, and the universe told me I was not done.”

Stan was named best actor in a musical or comedy for A Different Man, which sees him play a character who drastically changes his appearance.

“Our ignorance and discomfort around disability and disfigurement has to end now, we have to normalise it and continue to expose ourselves to it, and our children, encourage acceptance.”

Culkin won best supporting actor for his performance in A Real Pain, about two cousins who travel across Poland in memory of their grandmother.

“The first ever acknowledgement I got as an actor was a Golden Globe nomination when I was basically a kid. Now, it’s like the best date night my wife and I ever have,” he joked.

Saldaña, who won best supporting actress for her role in Spanish-language musical Emilia Pérez, said: “My heart is full of gratitude.”

“I’m so blessed to be sharing this moment with my fellow nominees,” she continued. “I know this is a competition but all I have witnessed is just us showing up for each other and celebrating each other and it’s just so beautiful.”

The film also won best non-English language film which saw director Jacques Audiard take to the stage with a French translator to accept the award.

“In these troubled times I hope Emilia Perez will be a beacon of light,” he said. “I hope to offer a comforting hug to those who are worried… I urge them to keep they heads held high and hope for a better few days ahead.”

Accepting Wicked’s prize for box office achievement, director Jon M Chu paid tribute to the movie and stage musical’s loyal fanbase.

“This is for you, the fans out there, who came to the movie theatres, brought your friends and family, we saw your videos, your singalongs, your make-up, hair products, bakery items,” he said.

“It shows us how important making this stuff is, in a time when pessimism and cynicism rule the planet, that we can still make art that is a radical act of optimism.”

There was a surprise but welcome winner in the animated feature category, which saw box office juggernauts The Wild Robot and Inside Out 2 beaten by Flow, a film about animals who must work together to survive following a flood.

“This film was made by a very small, young, but passionate team, in a place where there isn’t a big film industry, so this is the first time a film from Latvia has been here so this is huge for us,” said director Gints Zilbalodis.

Elsewhere, Baby Reindeer was named best limited TV series, which was accepted by its writer and creator Richard Gadd.

“A lot of people ask me why a show this dark has gone on to be the success that it has,” he said. “And I think in a lot of ways, people were crying out for something that spoke to the painful inconsistencies of being human.

“For a while there’s been this belief in television that stories which are too dark and complicated won’t sell and no-one will watch them, so I hope Baby Reindeer has done away with that theory, because right now, when the world’s in the state that it’s in and people are really struggling, we need stories which speak to the complicated and difficult nature of our times.”

British actress Jessica Gunning was named best TV supporting actress for her portrayal as a stalker in the hit Netflix series.

In her acceptance speech, Gunning shared an anecdote about getting a hamster for Christmas as a child, and thinking that she couldn’t believe it was happening to her. She said that phrase had become the “soundtrack of my life this year”.

“Thank you to Richard Gadd, Baby Reindeer has changed my life in ways that I can’t even explain. I can’t believe this is happening to me,” she repeated, “and I know that eight-year-old me wouldn’t either, she’d be chuffed to bits.”

Irish actor Colin Farrell won his third Golden Globe, for playing the Batman villain Penguin in an HBO series of the same name.

On stage, he joked that he had “no one to thank” and “did it all by myself”.

Recalling the three hours it took to fit him with prosthetics to make him the bloated villain in his latest film, he said: “In the morning, I drank black coffee, listened to 80s music, and I became a canvas for that team’s brilliance.”

Farrell also said: “Thank you for employing me. And yeah, I guess it’s prosthetics from here on out.”

The Golden Globes mark the first major ceremony of the film awards season, which culminates with the Oscars on 2 March.

A win at the Globes can help boost a film’s profile at a crucial time, when Bafta and Oscar voters are preparing to fill in their nomination ballots.

By BBC News

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At first, the atmosphere is festive, but as time passes, the star representing Moore’s character, Elisabeth Sparkle, becomes cracked and neglected, symbolizing the film’s themes of youth, beauty, and the lengths people go to maintain them.

As the story unfolds, it takes a dark turn.

After losing her job on a TV show due to declining ratings, Sparkle resorts to extreme measures to create a perfect version of herself.

The film shifts into a horror genre filled with graphic scenes that have sparked both controversy and acclaim.

Moore describes the script as “completely unique” and “visually stimulating.”

At 61, she embraces the unglamorous aspects of her character, reflecting on the themes of ageism and unrealistic beauty standards.

In The Substance, Sparkle uses a dangerous black-market drug to literally split herself in two, creating a younger version of herself, played by Margaret Qualley.

While living as her alter-ego initially fulfills her desires, the film quickly spirals into chaos as Sparkle struggles with her identity.

Director Coralie Fargeat faced challenges during casting but felt that Moore was the perfect fit for this intense role.

“I was surprised she reacted positively to the script,” Fargeat said. The film is described as daring and original, though opinions may vary on its graphic content.

Qualley, who portrays the younger version of Sparkle, noted that the film’s intensity contrasts with the quieter films currently being made. Critics have praised the film, with some calling it a “satirical horror-thriller” that challenges viewers to confront their reactions to body horror.

However, not all reviews have been positive.

Some critics have labeled the film as “pointless,” indicating that its graphic nature may turn off certain audiences. Regardless, both Moore and Qualley deliver standout performances.

As awards season approaches, discussions are heating up about the film’s potential impact, particularly regarding the Oscars.

Many believe Moore deserves recognition for her long career and this powerful role. Yet, the film’s graphic content might be a hurdle for some voters.

Moore hopes the film will spark meaningful conversations about Hollywood’s beauty standards and promote a cultural shift toward greater acceptance of diverse representations of beauty.

Reflecting on progress in Hollywood, Moore acknowledged improvements in diversity and representation, stating: “We’ve definitely made progress, but there are still steps to take.”

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She first gained attention on the soap opera General Hospital in the early 1980s before breaking out as a film star in movies like Blame It on Rio, St. Elmo’s Fire and About Last Night…

Moore’s career took off in the 1990s with the blockbuster hit Ghost, for which she received a Golden Globe nomination.

She went on to have further box office successes with films like A Few Good Men, Indecent Proposal and Disclosure.

In 1996, Moore became the highest-paid actress in film history when she received $12.5 million to star in Striptease.

However, her career saw a downturn in the late 1990s with underperforming films like The Scarlet Letter and G.I. Jane. Since then, she has taken on more sporadic leading and supporting roles in both film and television.

Siblings

Demi’s biological father is Charles Harmon, who had an affair with her mother Virginia while she was still married to Demi’s stepfather Dan Guynes.

This resulted in the birth of Demi’s half-brother James Harmon Jr. in 1974, when Demi was around 12 years old.

Demi has said she did not have a close relationship with her biological father or half-brother growing up, as her mother kept them out of her life.

Demi’s mother Virginia later married Dan Guynes, who adopted Demi and helped raise her. Virginia and Dan Guynes had a son together, Demi’s half-brother Morgan Guynes, born in 1967.

Demi has described having a closer relationship with her half-brother Morgan, as he was part of the family that raised her.

By most accounts, Demi has maintained a distant relationship with both her half-brothers over the years.

She has said she had a very difficult and unstable childhood, which may have contributed to the lack of closeness with her biological father’s side of the family.

In recent years, Demi has been more open about her family history and has expressed a desire to understand and connect with her half-siblings more.

Career

Moore began her acting career in the early 1980s, landing a role in the popular soap opera General Hospital.

This early exposure helped her gain recognition and eventually transition to film roles.

Her early film appearances included Blame It on Rio, St. Elmo’s Fire and About Last Night…, which showcased her versatility as an actress.

Also Read: Christie Brinkley Siblings: Getting to Know Gregory Donald Brinkley

The 1990s marked a significant turning point in Moore’s career.

Her starring role in the romantic thriller Ghost alongside Patrick Swayze catapulted her to international fame and earned her a Golden Globe nomination.

This success was followed by a string of successful films, including A Few Good Men, Indecent Proposal and Disclosure.

These films solidified her status as one of Hollywood’s leading ladies and highest-paid actresses.

In 1996, Moore became the highest-paid actress in film history, earning $12.5 million for her role in Striptease.

However, her career began to decline in the late 1990s with the release of underperforming films like The Scarlet Letter and G.I. Jane.

These films received mixed reviews and did not perform as well at the box office as her earlier successes.

In the 2000s, Moore began to take on more sporadic roles in both film and television.

She appeared in films like Charlie’s Angels: Full Throttle and Rough Night, as well as TV series like Empire.

While she has not achieved the same level of mainstream success as in her earlier years, she continues to work in the entertainment industry.

Throughout her career, Moore has received several accolades and nominations.

She has been nominated for a Golden Globe Award for her performance in Ghost, as well as a Primetime Emmy Award for her work on the TV series Empire.

Additionally, she has received a Screen Actors Guild Award nomination for her performance in Rough Night.

Awards and accolades

Moore has received several nominations and awards throughout her career, though she has not won as many major awards as some of her contemporaries.

Her most notable accolade was a Golden Globe nomination for Best Actress in a Motion Picture – Drama for her performance in the 1990 film Ghost.

This was her only Golden Globe nomination.

Moore has also received a Primetime Emmy Award nomination for Outstanding Supporting Actress in a Miniseries or Movie for her role in the TV movie If These Walls Could Talk in 1996.

Additionally, she has received a Screen Actors Guild Award nomination for Outstanding Performance by a Cast in a Motion Picture for her work in the 2017 comedy film Rough Night.

While Moore has not won many major awards, she has been recognized for her acting talents and contributions to the entertainment industry over the course of her lengthy career in both film and television.

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Demi Moore Wealth Accumulation

Beyond her substantial acting income, Demi Moore’s financial portfolio received a considerable boost through a divorce settlement with Bruce Willis. The settlement, totaling $90 million in cash and real estate, added a significant layer to her wealth. Furthermore, astute real estate transactions over the years have played a pivotal role in enhancing Moore’s financial standing.

During the mid-1990s, Demi Moore etched her name in history as the highest-paid actress in film, earning $12.5 million for “Striptease,” equivalent to approximately $20 million today. This milestone catapulted her into an elite financial echelon, with subsequent roles in “G.I. Jane” (1997) and “Ghost” (1990), contributing to her status as one of Hollywood’s top earners. In her prime, Moore raked in around $60 million in base salaries alone, a figure equivalent to roughly $100 million today.

Also Read: Danny Trejo Net Worth: Navigating Stardom, Entrepreneurship, And Financial Challenges

Behind the camera, Demi Moore ventured into film production, overseeing all three installments of the immensely successful “Austin Powers” franchise. This entrepreneurial move added millions to her coffers, showcasing her multifaceted talents in the entertainment industry.

Early Life

Born as Demi Gene Guynes on November 11, 1962, in Roswell, New Mexico, she adopted the surname Moore from her first husband, Freddy Moore. Despite a tumultuous familial history marked by frequent relocations, Moore’s foray into acting began to take shape when the family settled in West Hollywood. Her journey from Fairfax High School to a brief stint at Elite Modeling Agency and drama classes marked the initial steps toward an illustrious career.

Demi Moore Career

Demi Moore’s cinematic debut occurred in the early ’80s, with roles in “Choices” (1981) and “Parasite” (1982). The pivotal “St. Elmo’s Fire” (1985) marked her commercial breakthrough, associating her with the iconic Brat Pack. Subsequent successes like “Ghost” (1990), “A Few Good Men” (1992), and “Indecent Proposal” (1993) solidified her A-list status.

While the late ’90s saw fluctuations in her box-office reception, with successes like “G.I. Jane” (1997) and critical acclaim for “If These Walls Could Talk” (1996), Moore temporarily stepped back from acting in the early 2000s. A return post-2010 brought a plethora of projects, including films like “Margin Call” (2011), “Rough Night” (2017), and TV series like “Empire” (2017-2018).

Beyond acting, Moore embraced the literary realm with her memoir, “Inside Out,” debuting at No. 1 on The New York Times’ best-sellers list in 2019.

Demi Moore Wife

Demi Moore’s personal life, marked by three marriages, includes unions with Freddy Moore, Bruce Willis, and Ashton Kutcher. Notably, her divorce settlement with Bruce Willis amounted to $90 million, comprising cash and real estate.

Beyond the glitz of Hollywood, Demi Moore is a passionate doll collector, with a particular fondness for the Gene Marshall fashion doll. At one point, her extensive doll collection surpassed 2,000 dolls, underscoring her unique interests beyond the silver screen.

Demi Moore Net Worth

Demi Moore net worth of $200 million not only mirrors her stellar acting career but also showcases her strategic financial moves, making her an enduring figure in the annals of Hollywood wealth.

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